Octa Capture Manual4/29/2021
Designed to capture audio at a level of quality that will satisfy even the most demanding professionals, OCTA-CAPTURE features VS Preamps on its eight analog inputs.
Octa Capture Series Of CommercialBuilt with a Class A design for superb audio performance, these microphone preamps are based on those that have become a trusted part of Rolands V-Mixer series of commercial digital consoles, as well as the V-STUDIO 700 high-end DAW system.VS Preamps feature a rich array of premium components that help maintain the purity and transparency of the sound, including radial capacitors designed specifically for audio applications.As a result, they achieve an astonishing input-equivalent noise level of -123 dB, among the very best in their class. Another characteristic of VS Preamps is their even balance of sound reproduction over the entire frequency range, from ultra lows to extreme highs. This lets you record sources with no unwanted coloring of the original sound. What this means to musicians is that this simple design ensures a stronger, hotter current draw with audio performance that tends to have more sonic detail and less distortion. To this end, OCTA-CAPTUREs design has eliminated as much analog circuitry as possible for controlling parameters such as input level, impedance, and phase reversal, as well as low-cut filters and compressors. All of these parameters are controlled digitally with the built-in DSP, reducing the amount of analog circuitry not related to amplification, and therefore minimizing unnecessary variations in sound. The LED level meter and peak indicator are controlled by the DSP as well; this is a great advantage, not only in terms of reducing the effects of analog circuitry on sound quality, but also in ensuring accurate meter readings. Each board has its own power supply, which helps reduce noise and keeps crosstalk to a minimum. Needless to say, wiring runs have been significantly reduced. Independent of the analog input circuitry, OCTA-CAPTURE comes with a large-capacity power supply that is dedicated to supplying phantom power. This enables consistent recording performance, even when power must be supplied to eight microphones at once or when using mics that require large amounts of power. These meters allow you to make fine adjustments to your input levels, with a peak-hold function for checking peak levels on all channels at once. The Channel Select switch to the left of the LCD doubles as a peak lamp; it flashes red when any channels peak level is exceeded, allowing you to instantly recognize excessive input levels from a distance. The input level specs for Channels 7 and 8 have been optimized for extremely dynamic sound sources with high peak levels such as kick drums; the extra headroom (up to 16dBu) available on these channels helps prevent clipping and other recording problems. OCTA-CAPTURE also features independent compressors on its eight analog inputs to control the dynamics of difficult sound sources, ensuring solid recordings with clear sound and consistent levels. If input levels are too high, the sound will distort; if levels are too low, you lose the advantage of the excellent resolution afforded by digital recording, and the sound suffers from signal-to-noise ratio deterioration. To solve these issues, OCTA-CAPTURE is equipped with a newly developed AUTO-SENS function, which makes it quick and easy for even novice users to set the optimum level for a particular sound source. In addition to Manual mode, where the DSP begins analyzing when you press the button and stops when you press it again, you can also define a preset analysis time of 30 seconds, 1 minute, 3 minutes, or 5 minutes. This revolutionary function is a real time-saver in recording sessions where setup time is limited. With these direct mixers, youre able to directly output any connected source without routing it through your DAW program, and also tweak your sounds using OCTA-CAPTUREs built-in digital reverb and compressor.
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